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- Hardcover: 368 pages
- Publisher: Houghton Mifflin Harcourt (April 9, 2013)
- ISBN-13: 978-0547328188
For me, this was a book like no other! I have not found myself underlining, making margin notes and dog earring a book for many years - but this book just ignited me so much that I had to make notes, notes and more notes! I did not merely really like this book, I loved it! No, I have none of those conspiratorial affiliations or associations - this book is just unique and very different. I'm a history buff, especially a British history buff, and I love the cultural aspects of history. This book could have been more tailored to my interests!
Susan Bordo is a philosopher, cultural & feminist historian, and humanities scholar from the University of Kentucky. She has presented us with a finely detailed, acutely researched and edifying history about the 'becoming' of the famous English Queen, Anne Boleyn. Ms. Bordo details precisely how the myth of Anne Boleyn has been created, defined and re-defined over the centuries.
This is not just a history book, nor is it to be considered necessarily biographical in nature. It is rather a book that details how the cultural history of Anne Boleyn over the centuries has morphed into the myth behind the Queen and about how those myths have shaped our understanding, and our version about the 'reality' of this fascinating woman, who, many feel, was a modern age woman confined by the 'feminine strictures' of her 16th century world. Anne Boleyn; was she a saint or a sinner? Was she really the instigator of reformed religion in Britain? Was she, in fact, malformed? Did she truly have the adulterous relationships that led her to the scaffold or was this simply a conspiracy that allowed Henry to bed a more fecund woman who could, he hoped, provide him with a true heir to his throne? How have the myriad characterizations of Anne in books, plays and movies, shaped our common perception of her as a female and Queen? What do we really know about the woman who was Anne Boleyn.
Drawing from myriad and prime sources such as the writings of Eustace Chapuys ,and Thomas Wyatt, Ms. Bordo sets the stage for the beginnings of the mythology that would develop. Topics covered in this book include how a variety of plays and movies, and the actors and actresses in them, have formed a part of our cultural understanding of Anne Boleyn. Ms. Bordo goes into detail about how each actress who has portrayed Anne Boleyn, and each writer who has written about her, have added their own 'personality' stamps to our conceptualizations about this legendary Queen. She has interviewed many of the living actress' and writers up to, and including, Natalie Dormer who played the Queen in the acclaimed TV series, "The Tudors" and writers such as Hilary Mantel. "Additionally, Ms. Bordo has spoken to the directors of plays and films about Anne Boleyn as well. She has researched all of the biographies and extant writings about this, most famous, Queen, and she delineates how these very diverse depictions have shaped our modern understanding and cultural opinions about this maligned, but thoroughly modern, Queen and woman by looking at her in relation to the realities and social norms of her own time.
I especially like an included quote from the famous author, Hilary Mantel, ( author of "Wolf Hall" and "Bringing Up The Bodies" fame) which states "...we always write from our own time...". How true is that? Each generation puts it's own stamp on the 'reality' of history and historical figures. Ms. Bordo attempts to sift through the various 'versions' of Anne Boleyn that have been devised by many authors, film makers, actors, and 'news' sources over the ages to try to distill what the reality of Anne Boleyn was.
I even enjoyed the Chapter headings of the book! They are all so descriptive! Here are a few:
- Part One : Queen Interrupted
- Henry: How Could He Do It?
- Part Two : Recipes for Anne Boleyn
- Annes After Lives from She-Tragedy to Historical Romance
The notes and sources pages are monumental! The pages are filled with rich fodder for future reading. The sources include books, periodicals, and websites. Another favorite inclusion is a "fact checker" which posits the facts versus the fiction in some well read books such as "The Other Boleyn Girl" by Philippa Gregory.
When I read historical fiction I remember, first and foremost that I am reading historical fiction - not history. One of my favorite things to do is read a good historical novel along with a non-fiction book concerning the same time period. I enjoy understanding to what extent the author has used the facts and how they have woven their fiction around the facts.! I think doing this had provided me with a wealth of solid historical background that I would certainly not have enjoyed had I merely read the fictional work. I love factual history, which in many cases, can be even more fascinating than fiction!
Have a look at "The Creation Of Anne Boleyn's" Face Book page and the author's blog/website.
This book was a delight to read, and I know, without any doubt, that it will be of interest to a wide array of people; those who love history, those who love British history, cultural historian fans, those who question how the media can "make or break" popularity. It's winner of a read!
This is the advertising verbiage for the book:
"...Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne’s life and an illuminating look at her afterlife in the popular imagination. Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first-century portrayals? (Answer: neither.) And perhaps the most provocative questions concern Anne’s death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Bordo probes the complexities of one of history’s most infamous relationships.
Bordo also shows how generations of polemicists, biographers, novelists, and filmmakers imagined and re-imagined Anne: whore, martyr, cautionary tale, proto “mean girl,” feminist icon, and everything in between. In this lively book, Bordo steps off the well-trodden paths of Tudoriana to expertly tease out the human being behind the competing mythologies...."
Did she really have the double-crossing connections that driven her to the platform or is it accurate to say that this was basically a trick that permitted Henry to bed a more fruitful lady who might, he be able to trusted, furnish him with a genuine beneficiary to his position of authority?
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